It is hard to believe that it has been more than a month since Scott Tarulli and I finally crossed paths and got to hang out and talk shop in Manchester, New Hampshire!
I had mentioned earlier that week that I'd shortly be just a short drive from his home base in Boston - presenting at the 6th St. Anselm Conference - and he drove up that Saturday with beers and snacks, ready for some intensive discussion about the music business, education, rhetoric, philosophy. . . and of course all sorts of matters of the metal scene!
I actually recorded 1 1/2 hours of our conversation - here's the video of it - in the hotel room where I was staying. I call it an interview, and I suppose it started out more with Scott interviewing me. But it quickly turned into an open-ended, sometimes at-tangents, super-enjoyable conversation - and I even got a bit of "interviewing" in on my side, putting Scott on the spot.
. . . sometimes it's philosophy-related stuff (since that's what I do) . . . sometimes not . . . but it's always something to do with metal
Showing posts with label friendship and relationships. Show all posts
Showing posts with label friendship and relationships. Show all posts
Friday, June 9, 2017
Friday, August 28, 2015
Remembering the Columbia Record Club
It is often when institutions, artifacts, or practices become entirely -- or at least effectively -- defunct that we come to realize or reconsider what they had meant. The busier our lives get, the more useful such distinct moments become as markers memorializing the meaning of the past within the ongoing present.
For me -- and for many of my generation, those who grew up in the 1970s and 1980s -- the news earlier this month that the long-moribund Columbia Record Club had filed for bankruptcy was such a moment. As the news filtered into social media networks, many of us reminisced together, some recounting how many times they had joined the club. For my part -- and that's mostly what this post will be about below -- I was reminded of how taking advantage of the club's offer played such an important role early on in building my metal collection.
For me -- and for many of my generation, those who grew up in the 1970s and 1980s -- the news earlier this month that the long-moribund Columbia Record Club had filed for bankruptcy was such a moment. As the news filtered into social media networks, many of us reminisced together, some recounting how many times they had joined the club. For my part -- and that's mostly what this post will be about below -- I was reminded of how taking advantage of the club's offer played such an important role early on in building my metal collection.
Wednesday, September 18, 2013
Middle-Schoolers Finding Meaning in Metal
One of the signs that metal not only became a distinctive, identifiable genre of music -- that happened quite some time ago -- but that as it developed, as song-by-song its potentialities were discovered and deployed, metal set down something like a foundation, a bedrock, upon which each new generation can build, raze, rebuild, and most of all find and generate meaning -- sense and significance that sets a person, or in this case case a duo of kids, into continuity with a generation-spanning community.
A Vimeo video making its rounds through social media, "Unlocking the Truth" (titled after the band) made its way into my own timeline, and after watching it (see below), my second reaction -- my first was just to think it was cool to see two young guys clearly enjoying creating metal -- was to be struck by the fact that they find a kind of anchoring, expanding, lived-out meaning within that music. For me, thirty years ago in my own childhood and adolescence, that was one of the aspects or dimensions to heavy metal that drew me in and kept me listening.
A Vimeo video making its rounds through social media, "Unlocking the Truth" (titled after the band) made its way into my own timeline, and after watching it (see below), my second reaction -- my first was just to think it was cool to see two young guys clearly enjoying creating metal -- was to be struck by the fact that they find a kind of anchoring, expanding, lived-out meaning within that music. For me, thirty years ago in my own childhood and adolescence, that was one of the aspects or dimensions to heavy metal that drew me in and kept me listening.
Sunday, August 18, 2013
Inaugural Post: A New (but Old) Metal Renaissance
This new blog represents a project that those who know me well also know I've long been thinking about -- and talking about -- a forum where elements from my public and professional persona and my more private passions can be brought together, juxtaposed, integrated. More than half my life at this point, I've worked as a philosopher. And, nearly all of my life, I've been a metalhead.
Until now, with exceptions of a few posts in my main blog, Orexis Dianoētikē -- where I've reflected on heavy metal music in terms of memory, affectivity, temporality -- I've maintained separation between these two equally vital, similarly important spheres. But today -- which marks my 43rd birthday -- I'm embarking upon something novel for me as a public philosopher, bringing my longstanding love for heavy metal out of the shadows, away from the periphery, and into the limelight, onto the stage. I've decided that I need a place to write down -- and work out further -- thoughts, reflections, realizations, puzzles and paradoxes that I've partly and privately shared with friends, family, colleagues -- and with my wife and partner, in whom I'm fortunate enough to find someone who enjoys both classic metal and philosophy as passionately as I do.
Until now, with exceptions of a few posts in my main blog, Orexis Dianoētikē -- where I've reflected on heavy metal music in terms of memory, affectivity, temporality -- I've maintained separation between these two equally vital, similarly important spheres. But today -- which marks my 43rd birthday -- I'm embarking upon something novel for me as a public philosopher, bringing my longstanding love for heavy metal out of the shadows, away from the periphery, and into the limelight, onto the stage. I've decided that I need a place to write down -- and work out further -- thoughts, reflections, realizations, puzzles and paradoxes that I've partly and privately shared with friends, family, colleagues -- and with my wife and partner, in whom I'm fortunate enough to find someone who enjoys both classic metal and philosophy as passionately as I do.
Subscribe to:
Posts (Atom)



