Even the greatest of bands can suffer occasional missteps, turning out an album or two that aren't just below the high standards their earlier releases established, but genuinely, head-shakingly, take-a-swig-to-wash-away-the-taste bad. It's true that music critics can be a demanding and rather eccentric lot -- and as a profession, they've been off base at times in condemning some amazing albums, bands, or even movements of music -- and fans, as well as the chart numbers and album sales figures they drive can prove a faddish and finicky lot. But there are indeed efforts and experiments by bands that make even the real cultists, the diehard believer fans ask "what the hell are they doing?"
. . . sometimes it's philosophy-related stuff (since that's what I do) . . . sometimes not . . . but it's always something to do with metal
Showing posts with label ac/dc. Show all posts
Showing posts with label ac/dc. Show all posts
Wednesday, September 30, 2015
Wednesday, August 27, 2014
Metal Origins: Some Key Early Bands
There's been a tendency in recent years -- one I see particularly among fans into more recent "genre" metal (all the stuff ranging from "black" to "sludge" to "viking" . . .) -- to accord the origins of heavy metal primarily to on band, Black Sabbath. This claim has been given considerable weight by a key practitioner and early innovator, Rob Halford, for whom it's become somewhat of a party-line that first there was Sabbath, and really nobody else doing it, and then there was Judas Priest. My aim, in this and some follow-up posts yet to come, is to argue that this is far from the case -- that the story is much more complicated and interesting than that.
Don't get me wrong -- in the narrative as I reconstruct it, Black Sabbath certainly gets given their rightful pride of place. They possess a napoleonic status of "first among equals." I'd even go so far as to say that without Sabbath, metal might have coalesced rather differently -- and perhaps less powerfully, less coherently -- as a genre. But it's a mistake to portray them as the sole seminal band.
Don't get me wrong -- in the narrative as I reconstruct it, Black Sabbath certainly gets given their rightful pride of place. They possess a napoleonic status of "first among equals." I'd even go so far as to say that without Sabbath, metal might have coalesced rather differently -- and perhaps less powerfully, less coherently -- as a genre. But it's a mistake to portray them as the sole seminal band.
Labels:
ac/dc,
alice cooper,
black sabbath,
blue oyster cult,
budgie,
buffalo,
deep purple,
judas priest,
kiss,
led zeppelin,
metal genres,
origins of heavy metal,
pentagram,
rob halford,
scorpions,
ufo,
uriah heep
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